John Akomfrah presented his diptych film Auto da Fé (2016) which uses the aesthetics of a period drama to consider the historical and contemporary causes of migration, focusing on religious persecution as a major cause of global displacement. Lamia Joreige’s Under-Writing Beirut explores Lebanon’s complex history of conflict and how Beirut’s past and present continues to affect the city and its people. Amy Franceschini travelled to Cardiff from Oslo by boat retracing the migratory journey of seeds, to explore the politics of food production and the countries that our foods originate from. Neïl Beloufa presented a series of films including Monopoly (2016) where a group of Ukrainian teenagers to play Monopoly. The playfulness of this work belies the seriousness of the issues it takes on, questioning politics and power structures.

Ghanian born Akomfrah is a seminal figure in Black British Cinema and forerunner in digital cinematography. For 30 years the artist, director, writer and theorist has been highlighting the legacy of African diaspora in Europe by creating films that explore marginalised histories of European society. His body of work is considered one of the most distinctive and innovative in contemporary Britain.