Naomi Rincón Gallardo is a visual artist and researcher. From a decolonial-cuir perspective, her research-driven critical-mythical dreamlike world-makings address the creation of counter-worlds in neo-colonial settings. In her work she integrates her interests in theatre games, popular music, Mesoamerican cosmologies, speculative fiction, vernacular festivities and crafts, decolonial feminisms and queer of colour critique.

She is currently a beneficiary of the Sistema Nacional de Creadores de Arte, FONCA (2019-2022), Mexico. Solo and group shows and performative screenings include: la Casa Encendida, Spain (2023); 59th International Art Exhibition of La Biennale di Venezia (2022); 34th Bienal de São Paulo (2021); Una Trilogía de Cuevas (A Trilogy of Caves), Museo de Arte Contemporáneo de Oaxaca (2020); May your thunder break the sky, Kunstraum Innsbruck (2020); 11th Berlin Biennale, (2020); Heavy Blood, Museo Experimental El Eco, Mexico City (2019); Opossum Resilience, Parallel Oaxaca, (2019); Stone Telling, Kunstraum Niederösterreich Vienna (2019); En Cuatro Patas, Pacific Standard Time. LA, The Broad Museum, L.A., (2018); FEMSA Biennial. We have Never been Contemporary, Zacatecas (2018); The Formaldehyde Trip, Performance in Progress. SFMOMA, San Francisco (2017); Odarodle. An imaginary their_story of naturepeoples, 1535-2017, Schwules Museum, Berlin (2017), and Nicaragua Biennial (2016).

Naomi Rincón Gallardo is represented by Parallel Oaxaca, Mexico.